Monday, August 17, 2009

The Stuff Dreams Are Made Of


 

Now Playing: Fleet Foxes – Quiet Houses


 


 

(Continued from last time - The family has arrived home with the new addition.)


 

Me: Be careful! SUPPORT THE NECK! IT'S DELICATE!

Brother: First of all, it's an iPod, not a baby, and second of all, THERE IS NO NECK YOU DEMENTED CREATURE.

Me: Don't listen to your uncle, my sweet baby, there's a dear. (aside) Don't hurt its feelings! It can't help being neck-challenged!!!

Brother: …

Me: Now that you're home, we have to get you all charged up, don't we? YES WE DO! OH YES WE DO!

Brother: Oh sweet Jesus Christ, she's baby-talking the iPod.

Parents: We find it's best to keep quiet and hope that she doesn't do this in public. Much.

Brother (is aghast)

Me: Is it time for baby's first feeding?

Brother (is even more creeped out): By that horrible metaphor, I take it you mean to upload your music now?

Me: (covers iPod's headphone port) Do you mind? Baby doesn't know it's not…

Brother: ALIVE? SENTIENT?

Me: I was going to say organic, but those things too.

Brother: Heaven help us all when you really do spawn.

Parents (see their hopes of grandchildren evaporating)


 

(fast forward to a few weeks later)


 

iPod: feeeeeeeeeeeed meeeeeeeee….

Me: But! I have no more CDs left! I even ripped my Teach Yourself German CDs to feed your unending hunger AND THAT WAS TWO HOURS AGO YOU FIEND.

iPod: Denkst du, das genug war???

Me: Um… Ja?     

iPod: NIE!

Me (contemplates iPod-icide)

iPod: There's always the cheap CD bin at Carrefour.

Me: What? And soil myself with Best of the 90s: The Hits You Love Performed By Underpaid Soundalikes?

iPod: Du hast KEINE WAHL.

Me: Oh, Woe.


 

[German bits:

Did you think that was enough?

Um… yeah?

NEVER!

You have NO CHOICE.]

Saturday, August 15, 2009

Open Letter, or, a Clueless Canuck Seeks Answers

Now Playing: Friendly Fires – Lovesick

For all that the United States of America is Canada’s closest trading partner, our cultural brother-from-another-mother and the South to our True North Strong And Free, there are aspects to American Culture that I find unfathomable.

First of all, what is up with the one-dollar bills? This may seem a trivial point to many, but one of the things that really feels ‘alien’ about the US – when visiting from Canada –is the one-dollar bills. Why hasn’t there been a movement en masse to Sacagawea dollars?

More seriously, I have trouble understanding the mindset of people who do not think that universal healthcare is a right – who believe that adopting universal healthcare will turn America into a third-world country like Canada. Gee, is that why we’ve been calling Scarborough Scarlem all these years?

Why isn’t healthcare seen as a fundamental essential that everyone has the right to, like education? You’ll educate a child at government expense, but someone with a life-threatening illness has to shift for themselves? Alright, I’m unclear on the exact working of the US system – if you’re uninsured, are you treated at all? Or do you get treatment and then get slapped with a giant bill afterwards – and if you had the money to pay that, wouldn’t you have gotten insurance in the first place?

Answer me this - why defend the right to bear arms, but not the right to universal healthcare?

It is almost fashionable in Canada to complain about our healthcare services – the waitlist to see a specialist can run more than a month – but atleast we’ll never be in the position of not being able to afford cancer care.

Thursday, August 13, 2009

No Love for Love Aaj Kal


Now Playing: Ladyhawke - Magic


As the first half of Love Aaj Kal ended and the lights came up in the theatre for the intermission, I felt distinctly underwhelmed. This was an Imtiaz Ali film, and yet it didn't pop – unlike his previous picture, Jab We Met, whose heroine's middle names were probably Snap, Crackle and Pop. It was halfway through the movie – and yet the most noteworthy thing I'd seen was the use of the word 'gist' in a hindi song (they needed something to rhyme with 'twist.') Por que, Imtiaz, por que?


The plot unfolds, with lots of flash-backs and a few flash-forwards (damn you, Lost!) thusly - In present-day London, Jai and Meera meet (the second time) in a club, sparks fly and soon they're in a relationship. After more than a year, Meera decides to move to Delhi, where she's been offered the chance to do mural restoration work and they decide to break up – long-distance relationships never work and they're both mature individuals, not star-struck lovers. So mature, in fact, that they have a combination send-off and break-up party, at which they slow-dance, with long, lingering gazes. The camera does not linger on the faces of their guests, but I'm sure they must have been thinking, "This is soooo awkward. Are they together or not?" Anyway, after the party, the owner of the restaurant, Veer Singh (Rishi Kapoor) tells Jai he's an idiot to have let that girl go, and tells Jai the story of his passionate and all-consuming love for Harleen (Giselle Monteiro) back when he was played by a polyester-clad Saif Ali Khan.


One of the main problems, I felt, is that the present-day romance is supposed to be 'realistic' – Jai does not fall madly in love with Meera the first time he sees her, which is the very first scene of the movie - only they don't really meet and they're simply sharing an elevator. They enter the elevator, they don't look at each other, they exit the elevator. Realistic, right? Who knows, you might have met your future spouse already and not yet know it. But hold on, back up a second. I find it difficult to believe that there are men – purportedly heterosexual men – who are capable of getting into a lift with someone who looks like Deepika Padukone without giving her so much as a glance, let alone a double-take. The very first scene of the movie, and it rings false.


The present-day part of the film isn't helped by the fact that neither Jai nor Meera come across as very sympathetic. Jai comes across as selfish and clueless – he won't see Meera off at the airport because he's lent his car for the day and the flight leaves from Stansted, as if there's no public transport in the greater London area. 'Oh, Meera's fine with that," he says, and I think, "You idiot. You've been dating her for the better part of two years, you've met her family, the least you can do is show up at the airport and wave goodbye!" Alack, the idiocy of men. Later, when he sees Meera after her wedding to Vikram (darling, darling Rahul Khanna) he blathers on and on about his feelings – and which the blathering may have been meant to be a part of the character's charm, it really didn't work for me all the time. Afterwards, he moves to San Francisco as part of his life's dream to work on the Golden Gate bridge and finds the dream isn't all that great without the girl by his side, and I swear, the song picturization at this point was like a Raymond Suitings commercial – see Saif pose around San Fran in nice suits and varying degrees of stubble to match his character's inner angst! I laughed.


Deepika… oh dear, the fact of the matter is that the girl may be ridonkulously pretty and a fabulous clothes horse, but she can't act her way out of a paper bag. The Jai-Meera story is first of all, mostly Jai's story, and Deepika has comparatively little to do besides looking pretty. She does get one really meaty scene – when Meera realizes that perhaps, you can't use logic to deal with relationships; that maybe, the person who seems to not fit with where you are in life makes you happier than the person who is your perfect match. Unfortunately, this realization happens after her marriage to Vikram which inevitably leads to a meltdown. It's Deepika's big moment in the film – and it doesn't work. In stronger hands (Kareena Kapoor or maybe Konkona Sen Sharma) this would have been oscar reel material, but Deepika comes across as more high school drama club. The whole Jai-Meera relationship comes across as rather weak, even platonic sometimes, because Jai, while a bit of a prat, is played by Saif at 100W while Deepika flickers pleasantly at 40W.


Now, the other storyline, where Veer sees Harleen once and falls madly in love is cute, charming and unfortunately, can't account for more than a third of the film's running time. Saif may not be the best choice to play a Sardarji, but the character is easily more lovable than Jai – for example, contrast Veer running to the train station to see Harleen one more time and Jai whining about Stansted being too far out of town. Harleen has maybe two lines in the whole movie (seeing as how the actress is brazilian and doesn't speak hindi) but she comes across more vividly with all that silence than Deepika does with her surfeit of lines. The music, with the exception of 'Dooriyan' is hardly memorable - though can someone tell me why the costumes in the big dance numbers are so fluorescent and gaudy? They were like the costumes in Jab We Met's 'Mauja' number only with more glitter.


I did like the fact that Jai doesn't run to Meera's wedding yelling, "yeh shaadi nahin ho saktaaaaaa!!!" and the fact that Vikram and Saif's girlfriend Jo aren't portrayed negatively simply because they're the other guy and girl, respectively – but that's not enough to make me like the movie. Rent it if you must, but save the cost of a movie ticket to watch Kaminey.



Monday, August 10, 2009

A Question of Identity


 

Now Playing: Belle and Sebastian – Cassaco Marron


 

I haven't always had identity issues. When I was young, it never occurred to me to question what I was. I was Indian, my parents were malayalee though my mother's family were settled in Bombay, and that was that.


 

Things began to change when I was in grade four. That was a strange year; in IV-C, there were, by some administrative stroke of genius, three Sharons. With myself, Sharon Fonseca & Sharon Pereira in one class, teachers were forced to resort to, "Sharon! No, I mean you!" to identify us. Attempts to call us by our middle names died quick deaths; I refused to answer to Maria and the other Sharons were similarly fond of our common first name. That was probably when I realised – at a subconscious level – that I was no longer as special or as unique as I had thought myself to be hitherto.


 

One day, my mother said to me, "Sherrie, you must do well in maths and science. All malayalees are good at maths and science." I've since come to realise that this was a particularly fallacious piece of racial stereotyping – some of the most profoundly stupid people I have ever met have been malayalee – but I suppose it was my mother's way of telling me not to let the side down. Anyway, it was then I really recognized that I was apparently part of a larger, sub-national collective – I had a state team of my own, and it was Kerala. I belonged somewhere!


 

It made sense, I thought, to try and become a part of whatever malayalee cultural life I could. So, the next time I heard a fragment of an announcement on the school PA system about events at the local Kerala Samajam (a sort of malayalee social club), I went on full alert. The Kerala Samajam was, in theory, my own personal clubhouse, if only I knew exactly what they were doing there. Off I went to ask a malayalee classmate (MC) exactly what that might be.


 

Me: Did you hear what they said about the Kerala Samajam?

MC: Why do you want to know?

Me: Well – I'm malayalee, right?

MC: What, really?

Me: Um, yeah?

MC: No way, I thought you were Goan.

Me : N-no, why would you think that?

MC: You just don't seem malayalee.


 

Huh, I thought.


 

Me: So what was that announcement?

MC: Oh, some Bharat Natyam recital at the Kerala Samajam. You don't do Bharat Natyam, do you?

Me: No-

MC: So it's not meant for you, don't worry.

Me: Okay…


 

I was dumbfounded. These were my own tribesmen (tribesgirls?) and apparently they didn't even recognize me. Was I doing something wrong?


 

Me: Mama, the malayalee girls at school thought I was goan!

Ma: That's because they're stupid.

Me: …


 

I resolved to try again to reconnect with my peeps (not that that particular bit of slang was in vogue yet, but if it had been, it would have been absolutely apropos.) This time, the conversation got off to a more auspicious start.


 

MC: So, where are you from?


 

Safe ground, I thought. Isn't that the first thing one malayalee asks another when they meet for the first time? Nadu Evede?


 

Me: Oh, my Dad is from Kannur and my Mom's family is from Trichur originally, but they're settled in Bombay.

MC: Chee! Bombay is so dirty!


 

Huh?


 

MC: And there are beggars everywhere!


 

Wha-?


 

Apparently, my malayalee bonafides had been examined and found wanting. While I might have been totally malayalee in terms of parentage, spiritually, I suppose, I had been contaminated with Bombayness – after all, was the city not a centre of fast living, loose morals and God alone knew what else? To top it all off, I didn't even speak the mother tongue! I could see the judgement crystallize into being: Not a Proper Malayalee, Polysyllabic House Name Notwithstanding.


 

I was incensed. Who were these, these people to call Bombay dirty? To hell with it, I thought. I can always say I'm from Bombay. It was, in a quite literal way, true – I had been born there, as had been my mother and brother. That would be my new tribe, I thought; after all, the malayalees clearly didn't see me as one of them.


 

This was easier said than done. Bombay is to India what New York or Los Angeles is to the USA and Toronto is to Canada – the Big Bad City. Having been brought up in the safer, slower UAE, it was made abundantly clear to me by all my Bombay relatives – especially my mother – that I was an especially easy target for someone to rob, kidnap and perpetrate any manner of crime upon. Bombay people, I was told, were fast in thought and action, and I was quite the opposite. Too, I spoke no marathi and my hindi was halting and hesitant. And, in the background, there was the Shiv Sena and its various attendant subsidiaries and spinoffs trumpeting, "Maharashtra for Marathis!" Considering all these facts, could I really claim to be a mumbaikar?


 

This whole Question Of Identity was made a moot point when the Family packed up and moved to Toronto, Canada. Faced with the prospect of going from an all-Indian school to a multi-cultural Don Mills school, regional identity faded into the background – I was an Indian, adrift and friendless in this snowy wasteland. For the first time in my life, I had a sense of a wider South Asian identity as it dawned on me that most of the 'brown' people at my high school weren't Indian; they were far more likely to be of Sri Lankan or West Indian origin.


 

For those first few months, I clung obsessively to everything Indian I could find. I played my few hindi CDs over and over again (alack, one of those was the soundtrack to Mohabbatein, ew) and watched our small library of VCDs till I knew the movies line by line and scene by scene. I was terribly homesick; even the sound of an Indian accent in a bus shelter reminded me of 'home' – a place where my accent wasn't strange and somehow English and I didn't constantly feel self-conscious and out of place.


 

Slowly, though, Canada - more specifically Toronto – became less foreign. It became second nature to talk of loonies & toonies and – surprisingly – to append 'eh' to one's sentences. This is not to say that the key to Canadian-ness lay in currency denominations or in linguistic pecularities; I felt, I really felt that Canadians generally were friendly, helpful and genuinely welcoming. Gradually, that us vs them divide began to dissolve; we were really quite a nice bunch, we were the first nation of hockey and we had the best French-fries-related concoction ever invented.


 

Before we moved to Canada, some of our family friends told my parents to think twice. "Your children will become Canadian!" they hissed. And we had done (though not in the way often seen in hindi movies – where the anglicized children drink, smoke and sleep around while their parents weep and think of the old country.) To me, Canada was now home; no matter where I went, home would still be waiting for me. After a lifetime of not knowing exactly where home was, it was a relief to finally find out.


 

Then, a month or so ago, I was introduced to a fellow Canadian by two very good friends. "He's one of yours," they said, "so now you can go on about Tom Hortons all you like to him instead." "Tim Hortons," I murmured, as introductions were made. Afer the usual small talk was done with, the other Canuck turns to me.


 

"So, they tell me you're Canadian?" says he.

"Yeah, you too, right?"

"As in, you're an actual Canadian citizen?"


 

Huh, I thought, and walked away.


 


 


 

Wednesday, August 05, 2009

Little Drummer Boy


at Jaisalmer Fort, Rajasthan

Tuesday, August 04, 2009

too crazy not to be elected dictatress of the universe

Now Playing: Ellie Goulding – Guns & Horses

December last, I finally stopped dithering and asked my brother to pick me up an iPod Classic. Longtime readers (of the imaginary blog updated only in my head) will know that I’ve been in search of a new mp3 player ever since my late, extremely un-lamented creative zen slipped into a coma. FINALLY, after a lot of ipod vs zune deathmatches, I decided to go with the herd and succumb to the apple infection. (Frankly? It was the accessories that sold me. All those pretty, pretty accessories.... )The conversation went thusly:

Me (Imperiously): BROTHER! When comest thou to visit us from yon frigid climes, purchase thou an iPod classic from Beste Buye. And seest thou that it be jet-hued, else will I kick thee severely, VARLET!

Brother: Um, I have exams on right now…

Me: KNAVE! Which be of paramount importance, thine education or mine entertainment?

Brother: Hanging up now…

(fast forward to a week or so later, at Abu Dhabi airport)

Brother: Hey.

Me (in manner of zombie): iPooooooodddddd…

Brother: I think I forgot to pack it.

Me (rabidly): NYARGGGHHHHHHH I KILL YOU NOWWWW –

Brother: Um, here you go. And please don’t talk to me in public from now on – oh my God, are you biting off the packaging?!?

Me: NOM NOM NOM IPOD I LOVE YOU NEVER NEVER LEAVE ME –

Rest of family (Exits rapidly hoping no one connects them with the obviously deranged girl molesting the iPod in the airport Starbucks)

To Be Continued…

Monday, August 03, 2009

Dusting off the shelves

Now Playing: Florence + The Machine – Hurricane Drunk


Oh, dear, it has been a while.

I feel as though I ought to apologise, but to whom? Not even tumbleweeds blow this way any more.

Still, if you’re here, thanks for stopping by and stay tuned for fresh content – I hope.